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Long landscape shot, taken from the middle of the street. The photograph depicts a small underpass with two tube-shaped pedestrian tunnels on both sides. The inside of the tunnels are painted in alternating colors. Partially visible are two murals on the walls of the underpass that face the street. On the right-hand side, the mural has a yellow background and on the left-hand side, the paint is pink. Both murals feature knot-like multi-colorful forms.
Art

Threads Converging into Wholeness

Author: Kalina Nedelcheva

Published Date: Aug. 4 2022

Image: Photo by Annia Vee, courtesy of STEPS.

As a local landmark, the Skein mural exudes a vibrant community’s collective self-determination and remembrance of what once defined the neighbourhood. Located near Dufferin and Eglinton, the multi-dimensional piece was a collaborative effort of PA System (Alexa Hatanaka and Patrick Thompson), STEPS Public Art, and the local community. The insides of two petite pedestrian tunnels are adorned with bright rainbow colours, while the road-facing walls of the infrastructure are covered with bewildering forms that are dominated by pinks, greens, yellows, and blues. Skein turns out to be a perfect metaphor that permeates the visual aesthetic of the mural and the community’s collective efforts. By definition, a skein is a length of yarn that is loosely coiled and knotted, an element that figures as a part in a complex whole. This is the key to understanding what is depicted on the underpass.  

The shot depicts a portion of a mural with a pink background and a knotting combination of green, blue, and yellow colors of different shades. Some vegetation is visible on the upper left-hand side of the photo. A neon orange piece of paper with the words “Mural Celebration” and three balloons on top of it are taped on a wooden telephone poll on the right hand-side of the composition.  Photo Credit: Annia Vee, courtesy of STEPS.

The shot depicts a portion of a mural with a pink background and a knotting combination of green, blue, and yellow colors of different shades. Some vegetation is visible on the upper left-hand side of the photo. A neon orange piece of paper with the words “Mural Celebration” and three balloons on top of it are taped on a wooden telephone poll on the right hand-side of the composition. Photo Credit: Annia Vee, courtesy of STEPS.

The project, which was extremely complicated as it entailed the closing of a very busy street and the implementation of numerous safety precautions, was initiated by STEPS through community engagement sessions. These meetings were attended by different neighbourhood organizations, historians, and residents of all ages. It was through these conversations that the theme of textiles emerged. The community was ignited by the thought of commemorating an old yarn factory nearby which no longer existed. While the mural embodied this reference wholeheartedly with the colourful thread-like arches of the tunnels and the twisting knots on the exterior, the textile motif would appear in future artistic projects within this neighbourhood—stand-alone threads of creativity that were pulled together by their common source of inspiration.  

A portion of the underpass mural with the yellow background is depicted in this photograph. The colors are faded as a result of the passing of time since the completion of the mural. Swirling colors of blues, pinks, oranges, and green form a knot-like pattern. Some graffiti is visible on the right-hand side of the mural.

A portion of the underpass mural with the yellow background is depicted in this photograph. The colors are faded as a result of the passing of time since the completion of the mural. Swirling colors of blues, pinks, oranges, and green form a knot-like pattern. Some graffiti is visible on the right-hand side of the mural. Photo Credit: Penny Xie

Having taken the pulse of the community, STEPS enlisted the art collective PA System to execute the technical artistic expertise needed to bring Skein to existence. STEPS continued to facilitate community engagement throughout the various phases of the project, staying true to its “creative placemaking” mandate—a beautiful commitment of empowering people to activate the spaces they love. STEPS invited a local school to paint alongside PA System and hosted a celebration with local stakeholders after the mural was finished. From concept to completion, the Skein mural tumbled through phases, picking up threads of thoughts, opinions, and inspirations held by community members only to present them as a tangible whole on the walls of this underpass. 

A group of children and an artist, painting the ridges of the pedestrian tunnels in different colours. Photo credit: Vera Belazelkoska, Courtesy of STEPS.

A group of children and an artist, painting the ridges of the pedestrian tunnels in different colours. Photo credit: Vera Belazelkoska, Courtesy of STEPS.

Depicted is a portion of the painted pedestrian tunnel which features vibrant alternating colors. The exit of the tunnel is visible on the right-hand side of the photograph. Photo Credit: Penny Xie

Depicted is a portion of the painted pedestrian tunnel which features vibrant alternating colors. The exit of the tunnel is visible on the right-hand side of the photograph. Photo Credit: Penny Xie

Prior to the appearance of the Skein mural, there weren’t many public art activations in the area. This “placemaking” project showed residents what can be achieved by bringing the creative minds of community members together. The neighbourhood now regularly hosts different art initiatives—some that STEPS has taken part in and others that it hasn’t. Yet, the textile theme persists within the community. A way-finding marker, for example, was installed at one of the entrances to the Beltline Trail. Made out of wood and designed to look like a railway post—hinting at the history of the trail itself—the way-finding marker features a contemporary textile pattern and metal lettering. In a more fleeting activation, the community also hosted Woven, a series of temporary art animations in the park adjacent to the Skein mural.  

Image of Kalina Nedelcheva

About the Author

Kalina Nedelcheva

Kalina Nedelcheva is a multi-media artist-researcher and emerging curator, based in Tkaronto, Canada. Currently completing her Masters of Fine Arts degree at OCAD University, she is interested in exploring the ways in which human consciousness engages in the process of meaning-making. She has developed an uncanny interest in film as a medium for theoretical storytelling and her experimental shorts have been screened by Trinity Square Video, OCAD SU Spring Festival, Toronto Arthouse Film Festival, and more. As an emerging curator, Kalina has headed programming projects like Archives of Space (2021) and collaborative endeavors such as 403 Forbidden (2020) and Movement/ Nature: Guided Exercises by Artists at the AGO. 

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